WIDE

What it does

Wider than the speakers, or dead centre: a stereo width control from mono (0) through unchanged (1) to double width (2), with a MONO frequency under which everything stays in the middle, so the bass never leaves.

WIDTH 1.3 on a pad with MONO at 150 Hz is the safe wide
WIDTH 0 on a bass channel is a mono bass, which is the right bass

ON THE TOUCH PAD

As WIDE: X is WIDTH, Y is MONO. Touch to engage, lift to let go, HOLD to keep it.

Where it goes

PADSINSTRUMENTSCHANNELSBUSESMASTER

Four to a socket, in order: sound runs through the slots top to bottom. Open the box and every knob is in real units; BYPASS takes it out of the path without losing its settings; the presets are along the top; any knob learns a controller and gets an automation lane.

The knobs

2 KNOBS · REAL UNITS

Knob	Range	Starts at	Scale
WIDTH	0 x to 2 x	1.2 x	linear
MONO	0 Hz to 300 Hz	120 Hz	linear

The presets

7 IN THE BANK

Every box ships with a bank. AS SET is the knobs as you left them; the rest are starting points, each a sound someone wanted often enough to name. Star one and it sits at the front of the bank.

Preset	WIDTH	MONO
NATURAL	1 x	120 Hz
WIDE	1.5 x	120 Hz
BIG	1.8 x	90 Hz
SUPER	2 x	150 Hz
NARROW	0.5 x	100 Hz
MONO BASS	1 x	200 Hz
MONO	0 x	0 Hz

The console line

Every box is also a line of the console's language, so a pad or a patch can carry its effects in text. The words are the knobs:

fx width width=1.2 mono=120

The rest of SPACE

ROOM AROUND IT

TAPE ECHO

delay

Repeats, in time or free

PLATE

reverb

The room it was played in